Red Research Project

The TIRED Movement have been working tirelessly to engage with schools, colleges, awarding bodies and organisations to encourage them to see the value of the movement and how working as a collective to drive the changes is paramount. Delivering CPD training, providing valuable insight through symposiums and talks.

Through discussions with some of the leading vocational performing arts colleges in the UK, we have now partnered with the following colleges, who have all pledged to support the movement and be part of a 3-year research project that looks into the impact of having little or no representation in dance education. This project will culminate with the development and pilot of a new framework that will be embedded in all Performing Arts colleges.

In order to understand the reasons why less than 20% of the intake of a college are from the global majority, and why…

  • Of the 36 adjudicators listed on the All England Dance adjudicators directory, not one of them is black.
  • Of the 240 adjudicators of the British Festival Federation, not one of them is black
  • RAD (Royal Academy of Dance) website claims to have a panel of over 200 examiners with their photo images displayed online, not of them is black.
  • There are 22 board directors pictured on the IDTA (International Dance Teachers Association) website, not one of them is black.
  • Of the 42 adjudicators in this country that are registered to the British Festival Federation, not one of them is black nor has there ever been a person of colour represented in that organisation.
  • Nine tenths of bosses at the country’s 50 highest-funded theatres are white, with people of colour making up just 8% of leaders.

Children only know what they see, and the statistics prove that the need for more education around ethnic inclusion and racial equity is paramount.

PARTNERED COLLEGES

  • BIRD College, Sidcup
  • Performers College, Essex
  • Performers College, Birmingham
  • Laine Theatre Arts, Epsom
  • Italia Conti, Woking
  • ICTheatre, Brighton
  • READ College, Reading
  • London Studio Centre, London
  • Shockout Arts, Manchester

RESEARCH PROJECT

Year 1: CONSULTATION – We will work with colleges to create focus groups that will meet regularly and ensure that the chosen ambassadors are supported throughout this project, with considerations for their wellbeing and mindful of safeguarding.

Year 2: DEVELOPMENT – We will work with colleges and the ambassadors to develop ideas for equity inclusion, and explore the eventual structure of the framework.

Year 3: IMPLENTATION – All colleges have agreed to implement the pilot framework.

All colleges will have the opportunity to collaborate with other colleges to share best practice in order to improve racial equity, inclusion, and representation in dance education. This will be the first time a project of this magnitude will be a collaboration of some of the best colleges in this country.

We are so excited to partnering with all the colleges and appreciate their support and understanding of the importance of this project. But we could not do this without the amazing Imogen Aujla, who will be our Lead Researcher throughout the next 3 years.

Latest Additions

ResDance Podcast: Racial Equity in Dance

Series 6: Episode 11: Racial Equity in Dance with Stacey Green and Imogen Aujla

TIRED co-founder Stacey Green and lead researcher Dr. Imogen Aujla share their insight on the latest ResDance podcast. Listen to find out more about their thinking and considerations around racial equity in dance.
 
Through exploring the work of The TIRED Movement and their current 3-year research project looking at representation in dance training and education (the RED Research Project), we discuss the importance of removing the fear of discussing racism in dance and acknowledging the need for good practices to be adhered to within the dance industry. Through reflecting upon her personal and professional experiences, Stacey advocates for a unitedness and bringing together of the dance community, an openness of communication and a greater celebration of the pioneers and origins of dance influenced by black culture. Stacey and Imogen highlight the value of giving voice to students and practitioners within the field and a quest to work collectively to improve racial equality and representation in the dance industry.
 
 
Stacey Green – IOD Diversity and Inclusion Ambassador for Derbyshire and Nottinghamshire
 
 “From the very first time I stepped into a ballet class back in 1979, I immediately noticed I was different.  Even at the age of just four years old, the predominately white environment I found myself in felt strange but I didn’t know why.  I do now.  What was apparent then, is still apparent now.  The lack of black representation within dance education is clearly something that needs to be addressed.  If children and young people don’t see someone that looks like them at the top of the pyramid of power, then how do they aspire to be in that space or identify with that profession?  As the principal of my own performing arts school and over 25yrs of experience working within the industry, teaching children and young people to embrace not just the artform but their ethnicity has always been paramount.  As a mixed race educator I have spent the past 42yrs competing in a sector that is predominately white, with very few opportunities to voice my concerns about the lack of representation within The British Festival Federation and various examining boards.”
 
Contact details:
Email: info@tiredmovement.com
@movementtired on Instagram and X
TIRED Movement on Facebook
 
Other social media handles:
Shades Dancewear
info@shades-dancewear.com
@shadesdancewear on Instagram, TikTok, X, Facebook, Pinterest
 
Dr. Imogen Aujla
 
Imogen is a freelance dance psychology researcher, lecturer, and life and wellbeing coach. She originally trained as a dancer before specialising in dance science and later dance psychology. She has a PhD in dance psychology and a Diploma in Cognitive Behavioural Therapy. Prior to going freelance, Imogen was a Senior Lecturer in Dance and Course Coordinator of the MSc Dance Science at the University of Bedfordshire. As well as her project-based freelance work, she is a regular guest tutor on the MAS Dance Science at the University of Bern, Switzerland, is a peer tutor for the mental health charity Mind, and is a member of the Mental Health Advisory Group of the International Association for Dance Medicine and Science. Imogen’s research interests include talent development, inclusive dance, and psychological wellbeing among dancers. She has published over 30 peer-reviewed journal articles and book chapters, and has presented her research internationally.
 
Contact details:
Facebook: @danceinmindUK
Instagram: @dance_in_mind_UK
 
Published sources and recommendations:
 
Please share this episode with students, educators, practitioners, performers, and interdisciplinary researchers curious to learn more about dance research in action.
 

Weʼre raising £5,000 to help towards our campaign to improve racial equity, representation and inclusion in dance education!